2025
‘A Place for a Creative Space: a conversation with Yessica Klein‘ interview with La Piccioletta Barca (US)
‘A Garota do Mato’ published in Revista Peixe-Boi (BR)
‘Ode to the British Coastal Town’ published in ‘Where The Land Forgets Itself’Zine (UK)
Quoted in ‘Einmal Poesie, bitte’ published online and in print on TAZ (Germany)
‘There Is No Such Thing As A Straight Line’, ‘Such A Pisces’, ‘Dog Person’, and ‘Sometimes The Girl Would Rather Be A Tree,’ published in Cambridge Review: Episode 2 (UK)
‘Wild Honey’ published in Leaves Volume 3 (US)
reading and discussion: OPEN Späti [how long is the letter i] (Germany)
reading and production: Elders of Poetry: Theodore Roethke (Germany)
reading and discussion: Wild Tongues x Writers of Color Berlin (Germany)
reading: Berlin Poetry Collective Early Spring (Germany)
2024
‘Wild Honey’ published in Ambient Receiver (UK)
Accepted into The Novelry’s Octopus Scholar’s program (The Big Edit) (UK)
‘Praia do Bonete, Ilhabela’ published in Wetgrain (UK)
3 Poems published in Richard Price’s painted, spoken (UK)
‘Midsummer in Ballywalter’ published in La Piccioletta Barca (US)
2023
Accepted into the The Novelry’s Octopus Scholar’s program (The 90-Day Novel) (UK)
Shortlisted for The White Review’s Poetry Prize (UK)
A Spell to Speak Brazilian’ published in Banshee Lit #14 (Ireland)
‘Jungle Girl’ published in Pique-Nique Bibliothèque #1 (Germany)
Accepted into Nick Laird’s poetry summer school at the Seamus Heaney Poetry Centre — Queen’s University (UK)
‘Jungle Girl’ published in The White Review (UK)
‘(Another) Love Letter To Jules’ published in The Magnolia Review (USA)
‘Here, Daffodils’ published in Welcome to Britain: An Anthology of Poems and Short Fiction (UK)
Published in London’s Writer’s Salon 2023 anthology, Writing in Community Vol. 3 (UK)
‘Pindorama’ published in Stadtsprachen magazin (Germany)
‘I Am Not From Rio But Hey, That Shit Sells’ published in The Concrete Desert Review (USA)
2022
‘Creationisms’ published in The Willowherb Review (UK)
‘A Spell To Speak Brazilian’ highly commended by Rebecca Tamás in the Ambit’s ‘Magick’ competition (UK)
‘Physical Forgetfulness’ published on the other side of hope (UK)
2021
‘The City I Love Is No Longer The City I Left’ shortlisted for the 2021 Aesthetica Magazine Creative Writing Award (UK)
‘Don’t Give Me Half Measures Of Anything’ published in the other side of hope (UK)
‘Streets with the Same Name’ published in The Royal Society of Literature (UK)
‘A Lisbon Story’ published in Lighthouse Review #22 (UK)
‘The City I Love Is No Longer The City I Left’ published in The Liminality Review (USA)
‘Notes to Self’ published in One Hand Clapping (USA)
‘The Weekend Goes by Like a Sigh’ published in The Rail (USA)
2020
‘The Opposite Of Silence is Silence’ published in Muddy River Review (USA)
‘The Language of Violence’ published in the anthology Conversations With Men by Derailleur Press (USA)
‘Vulnerable Men’ published on Press Pause Press (USA)
‘The Witch is Back’ published on The Three (US/UK)
‘I Am Part Of The Universe & The Universe Is Part Of Me’ published in Heroin Chic (USA)
2019
‘After You Leave, I Make Myself A Cup Of Tea’, published in Porridge Magazine (UK)
‘I Have Loved’ and ‘There Will Always Be Poems About Love’ published in Porridge Magazine (UK)
‘Plums’ published in Beacon Magazine (USA)
‘Baby Mice’, ‘Second Soul’, ‘Body Language’ and ‘The Skin You’re In’ published in SALT. #10 Glossolalia (UK)
‘In The Dark I Can Hear You Smile’ published in Puerto Del Sol (USA)
2018
‘Pyramid Of Oranges’ and more visual poetry published in 3:AM (UK)
‘Amsterdam 94’ by Cadão Volpato, (translation) published in Samovar Editions (USA)
‘Looking For The Southern Cross II’ published in Quiddity Lit (USA)
‘Uncertainty Principle’ published at Exposition Review: vol III (USA)
‘Pyramid Of Oranges’ published in Hotdog Magazine vol 3 (UK)
Yessica Klein 